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Mia Nero holds a black column broken once by red. One block of color against a run of black is the whole argument. Read more...
Mia Nero holds a black column broken once by red. A square base and a large sphere, both cast in Nero pieno — solid, opaque black — carry the stack from the floor; above them a large faceted cube in Rosso interrupts the line, and a medium black cube closes it again before the shade. One block of color against a run of black is the whole argument.
Each piece — base, sphere, the two faceted cubes, the shade — is separately hand-cast in a small Roman workshop and threaded onto one rod, and nothing about the sequence is permanent: change the red cube for another color and the lamp reads entirely differently. That openness, not any single silhouette, is what a Charlottina lamp is actually selling.
On a console or entrance table it reads first as object — dense black base and sphere, a faceted red interruption, soft black cotton above — before it becomes a light source at all. It suits a majlis corner or a study desk equally well, somewhere it will be seen as often switched off as on, and it carries a design-led gift or a considered interior refresh without needing company nearby.
Mia Nero holds a black column broken once by red. A square base and a large sphere, both cast in Nero pieno — solid, opaque black — carry the stack from the floor; above them a large faceted cube in Rosso interrupts the line, and a medium black cube closes it again before the shade. One block of color against a run of black is the whole argument.
Each piece — base, sphere, the two faceted cubes, the shade — is separately hand-cast in a small Roman workshop and threaded onto one rod, and nothing about the sequence is permanent: change the red cube for another color and the lamp reads entirely differently. That openness, not any single silhouette, is what a Charlottina lamp is actually selling.
On a console or entrance table it reads first as object — dense black base and sphere, a faceted red interruption, soft black cotton above — before it becomes a light source at all. It suits a majlis corner or a study desk equally well, somewhere it will be seen as often switched off as on, and it carries a design-led gift or a considered interior refresh without needing company nearby.
A wired table lamp built from hand-cast resin modules joined with brass fittings, under a cotton shade. It is an electrical piece, so no part is ever immersed in water; the shade is sensitive to damp, and prolonged sun or direct heat can fade the shade and dull the resin and brass.
Care: Unplug the lamp and let it cool fully before cleaning. Dust the base and shade regularly with a soft, dry cloth; if needed, wipe the base with a barely damp cloth and mild soap and dry it at once. Keep the shade dry at all times, as cotton can water-stain or warp.
Avoid: Water on the wiring or electrical fitting, and immersing or submerging any part; damp rooms and splashes that stain or warp the shade; and prolonged direct sun or heat sources such as radiators, which fade the shade and dull the base.
Suitable for: Accent lighting on a console, side table, sideboard or reading corner in indoor living and dining spaces.
Mia and Mia Mignon are Charlottina Design’s geometric table lamps: stacked resin cubes and spheres, joined in brass and finished with a cotton shade. Mia is the full column for a console or living room; Mia Mignon is the same composition at bedside scale.
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Free delivery from BHD 103
Distinctive tableware and decor from carefully selected European brands.
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